From Avoca to Africa — Part One: The Dream

A Village in Wicklow

I grew up in Avoca, a small village in County Wicklow, Ireland. A place of quiet fields, wooded valleys and the slow meeting of two rivers. Africa could not have felt further away.

And yet it was always there somewhere in the back of my mind. A continent I couldn't explain and had never seen. A pull I couldn't account for and didn't try to.

 

 
Aerial view of the Vale of Avoca, County Wicklow, Ireland, showing the wooded valley and the meeting of the Avoca rivers

A Village in Wicklow

The Vale of Avoca, County Wicklow, Ireland — where the story begins

 

 

Someone Else's Life

I had played sports since I could walk. But Ireland in the 1980s was a country with little work and fewer opportunities, and like so many generations before me, my parents included, leaving was just what you did. I was eighteen when I headed to London.

I found work where I could. A department store first, then a bank. It was playing rugby for that bank that changed things, a contact made on the pitch led to a career as a money broker. Suddenly, I had an income, a path, a reason to stay.

Through my twenties, I kept playing, but with a career now depending on my hands and my health, I became cautious about injury. Sport slowly gave way to other things. And it was in that space that Don McCullin found me.

The city, the salary, the suit — it wasn't a bad life. It just wasn't mine.

 

 
Long exposure black and white photograph of Millennium Bridge and St Paul's Cathedral, London, with figures appearing as spectral forms on the bridge, by Peter Delaney

London, Revisited

Walking the South Bank in 2017 — the city that shaped me, seen differently now

 

 

The Book That Changed Everything

It was a chance find. Browsing a secondhand bookshop in the City of London one afternoon, I noticed a book on the shelf, a Don McCullin retrospective. I picked it up.

One photograph stopped me cold. An Irish homeless man. Forgotten. Invisible. Something about it reached in and unsettled me in a way I couldn't immediately explain.

Who was he? What had happened to him? Like me, he had come to London to find work and a dream. A different journey perhaps, but the same island, the same distance from home. That could have been me. It very nearly was.

In that moment, I understood something about the power of a single photograph. One black and white print. No words. And yet it asked more questions than most books ever do.

I became obsessed. Photography courses, fine art printing, City and Guilds, and an A Level. Exhibitions every chance I got. And then one afternoon in 1995, I stumbled across the Wildlife Photographer of the Year exhibition at the Natural History Museum.

I had no idea what I was walking into. I stood in those halls and felt something shift.

Little did I know that I would one day have my own work hanging in those same hallowed halls, winning the competition not once but three times, in 2011, 2013 and 2017, each time as a category winner.

But that was still a long way off. First, there was Tokyo.

 

 
Black and white photograph of an Irish homeless man by Don McCullin, from his retrospective — the image that sparked Peter Delaney's obsession with photography

One Photograph. One Question.

A single image in a London bookshop changed the direction of my life

 

 

Dreaming of Africa from Tokyo

When the company transferred me to Tokyo, I went. And it was there, of all places, that Africa came back. I built a darkroom in my second bathroom, did street photography on weekends, and mixed with other amateur photographers. The craft was deepening quietly, without a plan.

And every month, a copy of Getaway magazine, a South African travel publication, arrived. I read every issue cover to cover in my Tokyo apartment. Dreaming of a continent from the other side of the world.

Africa wasn't going anywhere. And neither, it turned out, was I.

 

 
Colour photograph of a dramatic storm over the Karoo landscape, South Africa, with expansive skies and arid terrain, by Peter Delaney

The First Love

Storm Over the Karoo — vast skies, solitude, and the landscape that first made Africa real

 

 

Part Two — The Leap
How a spontaneous decision, a shipped 4x4, and a year on the road across Africa changed everything.

While you wait for Part Two, explore the photographs that came from that journey.

Elephant Portraits | Giraffe Studies | African Landscapes

 

 
 
Peter Delaney

Peter Delaney

Peter Delaney is a fine art photographer based in George, South Africa. Best known for his black and white wildlife photography, he also photographs the landscapes that have shaped his journey across Africa, creating museum-quality prints for collectors around the world.

Whether photographing a super tusker in Amboseli or a solitary quiver tree in Namibia, his approach remains the same: patience, simplicity, and a search for images that endure beyond the moment they were made.

http://www.peterdelaneyphotography.com
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From Avoca to Africa — Part Two: The Long Way Round

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