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Unframed Fine Art Print

Unframed Fine Art Print

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The Unicorn of the Great White Place | Oryx | Unframed Print | Peter Delaney
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Into the Wild — The Unicorn of the Great White Place | The Story

Some places seem to carry stories far older than the people who pass through them.

I was watching nine Oryx at the edge of Etosha Pan, slowly making their way away from a waterhole towards the red dunes. They had stopped to graze on the sparse vegetation, moving across the enormous white expanse as the heat shimmered above the pan.

One Oryx stood slightly apart.

It turned towards me, its long, sharply pointed horns rising against the shimmering horizon. For a moment, the heat haze seemed to dissolve the landscape around it, and the animal looked almost mythical.

It brought to mind the old stories of the one-horned creatures of southern Africa, and the extraordinary history of this place.

Etosha is often described simply as a vast salt pan, but to the Hai||om San people who lived here for generations, the landscape carried a much deeper meaning. One oral tradition tells of a mother whose grief over the loss of her child was so great that her tears formed a great lake. When the water disappeared, the salt remained, creating the great white pan.

Even the name Etosha has a history. It comes from the Oshindonga word Etotha, meaning "the place where no plants grow."

Standing there, these stories felt strangely present.

The Oryx had just left the waterhole, following the ancient rhythm of life in one of Africa's harshest landscapes. Water here means survival. The white pan stretches endlessly towards the horizon, shimmering in the heat, while the red dunes wait beyond it.

And then there was this one animal, standing apart from the others, those extraordinary horns rising from the white earth.

For generations, travellers and researchers have wondered about the mysterious one-horned creatures found in southern African rock art. Some were thought to be Oryx viewed from the side, their two horns overlapping to appear as one. But research has shown that some of these figures were deliberately depicted as one-horned beings, connected to indigenous beliefs surrounding rain, water and powerful spiritual creatures.

Looking at this Oryx through the shimmering heat, I understood how easily an animal can become something more than an animal in the imagination.

I pressed the shutter.

And called it The Unicorn of the Great White Place.

Sometimes, a place gives an animal a story of its own.

Collector Stories

Reflections from collectors who have welcomed Peter Delaney's artwork into their homes around the world.

"

After some delay, I finally had 'Bonds of Love' framed and placed on my bedroom wall, a gift from my husband for our 50th wedding anniversary. He passed away not long after, and two years on, this photograph continues to comfort me. It is the first thing I see every morning, and it gladdens my heart.

— Sally, Johannesburg

"

This is not a photograph hanging on a wall. It is a window into something vast and unhurried.

— Rod C., Denver

Read Rod's full review →
"

To have one of Peter Delaney's images in your home is your connection to a world few of us will ever experience, and a connection to nature and the earth that is truly rare.

— Spencer Wynn

"

Queen of the Mara has occupied a central place in our living room since 2020. It helped us feel connected to the world at a time when we... weren't.

— Paul, Collector

Each print carries its own story, creating a lasting connection between the collector and Africa's wild places.

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